In her 1933 The Autobiography of Alice B. Toklas, Gertrude Stein invented a new literary form by narrating her own story from the perspective of her partner, blurring the lines between portrait and self-portrait. Almost a century later, experimental filmmaker and artist Lana Lin has resurrected Stein’s project to tell a different story of queer love, life, and artistic collaboration. At heart a candid chronicle of her partner Lan Thao’s life journey from Viet Nam during the war, and her own troubled history as a gender-queer Taiwanese American, Lin draws in subjects as varied as photography, cancer, tropical fruit, 9/11, and Eve Sedgwick’s eyeglasses, weaving an intimate landscape of living that is also a critical investigation of race and gender.
