Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Liberation des Femmes (197081). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s Helene Cixous, Luce Irigaray and Julia Kristeva forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68.
