The Australian art world is often host to crime, including theft, fraud and forgeries. Unseen offers a unique insight into art crime in Australia from colonisation to today, focusing on those stories that have often escaped mainstream attention. From the many offences committed against William Dobell’s work (including a painting listed on the FBI’s National Stolen Art File since 1949) to the mysterious re-emergence of Rupert Bunny’s Girl in Sunlight twenty-three years after it disappeared, from fraudulently sold Aboriginal art to climate activists spray-painting a famous Frederick McCubbin, Australian art has been a hotbed of revolt, recrimination and even robbery since European contact.