In this dystopian tale of a near-future society increasingly threatened by all-consuming AI, a scientist mother and her disabled son rebel against the corporate larceny of their selves, by an award-winning poet (‘Stirring. . . . Wildly inventive and sharp to an edge’ -Los Angeles Review of Books) In this story of the scientist DR. MEM and KITSUNE, her nonambulatory, non-speaking son, the pair fight CORP, a mega-company developing the most powerful AI robot ever conceived. What MEM learns is that CORP seeks ‘To give the robot something real. / What it can fake but not make- / mercy, compassion. Trust and love.’ That is, CORP hopes to harvest and own not just their employees’ personal data but their thoughts, memories, and their sensory experiences, in order to build a robot that will contain all that is and ever was human, and replace the need for humans themselves. This swift drama, which unfolds in a libretto/ script format, with dialogue in Shaughnessy’s accessible and blistering verse, shows how MEM and her coworkers fight to save their individuality from being vacuumed up. A Greek-style chorus reflects on the state of a world where ‘taking leave of our senses’ becomes a serious and quite literal threat, as MEM struggles to fulfill her singular role in fighting the high-tech of corrupt capitalism. At the center of this all-too-relevant speculative drama burns MEM’s most powerful weapon against the forces of AI darkness- a mother’s love.
