A landmark reinterpretation of the civil rights movement that challenges reductive heroic narratives of the 1950s and 1960s and invigorates new debates and possibilities for the future of the struggle for liberation. We are all familiar with the romantic vision of the civil rights movement: a moment when heroic African Americans and their allies triumphed over racial oppression through courageous protest, forging a new consensus in American life and law. But what are the effects of this celebratory storytelling? What happens when a living revolt against injustice becomes an embalmed museum piece? In this innovative work, Brandon Terry develops a novel theory of interpretation to show how competing accounts of the civil rights movement circulate through politics and political philosophy. The dominant narrative is romantic. This “arc of justice” narrative is found in popular histories, the speeches of Barack Obama, and even the writings of the liberal philosopher John Rawls. Despite being public orthodoxy, these romantic visions are exhausted and unpersuasive on their own terms. The breakdown of the authority of this history of justice has created space for a rival ironic mode, embodied in the political ideas of Afropessimism. While offering a sympathetic critique, Terry ultimately finds Afropessimist thought self-undermining and unworkable. Instead, he argues, the civil rights movement is best understood in tragic terms. By challenging the attachment to triumphant pasts, Terry demonstrates that tragedy exemplifies what the civil rights movement has been and can still be.
